AICA-be | Michaël Amy

Michaël Amy

Michaël Amy is a writer, lecturer, curator, critic and art historian with a Ph.D. from New York University’s Institute of Fine Arts. He is Professor of the History of Art in the College of Imaging Arts & Sciences at Rochester Institute of Technology. He is the recipient of many fellowships, grants and awards, including from the Samuel H. Kress Foundation and the Belgian American Educational Foundation, and works in Renaissance, Baroque, modern and contemporary art. A frequent contributor to the magazine Sculpture, his articles have also appeared in The New York Times, Apollo, Art in America, Burlington Magazine, tema celeste, CAA.Reviews, DITS, the Encyclopedia of the Renaissance (New York, 1999), Art China, Art & Antiques, Michelangelo Buonarroti: Leben, Werk und Wirkung. Positionen und Perspektiven der Forschung (Frankfurt am Main, 2013), Viator: Medieval and Renaissance Studies, Blasphèmes et Libertés, Santa Maria del Fiore: The Cathedral and its Sculpture (Fiesole, 2001), the Mitteilungen des Kunsthistorischen Institutes in Florenz, Art & Culture, Kunst & Cultuur, and the Nieuw Tijdschrift van de Vrije Universiteit Brussel. Additionally, he has published numerous exhibition reviews, catalogue essays and interviews with artists. He is the author of One to One: Conversation avec Tony Oursler (Brussels, Facteur Humain, 2006), Michaël Borremans: Whistling a Happy Tune (Ghent, Ludion, 2008), and Hiroshi Senju (with Rachel Baum as co-author, Milan, Skira, 2009).